Instead, their departure feels like a case of recognizing that fans were bored of their stories, and refocusing for season two.Īs it turns out, the move was a master stroke. I’d be somewhat surprised if that were true, though the Trump references felt like a clear attempt to make the show capital-R Relevant, and even in the last episodes of Season 1, the show seemed to be building sympathy for long-suffering Patty. Perhaps it was always the plan to use these bigger stars as bait of sorts: draw viewers in with recognizable names, then let them fall in love with the other characters. Beyond that, their scenes were mostly just a slog through white suburban drama, with a side of gratuitous Trump connection (Stan and Matt both worked in Trump Tower). In the first season, the two characters only connection to the ballroom world that otherwise dominates Pose was Stan’s affair with House of Evangelista member Angel (Indya Moore). I'm talking about the decision to listen to eliminate superfluous characters Stan and Patty Bowes (Evan Peters and Kate Mara). This time, not only giving fans what they want, but also bringing great benefit to the story itself. Their last appearance, in Apocalypse, required resurrections and time travel (!).Īnd now with Pose, Murphy (alongside longtime collaborator Brad Falchuk and writer/producer Steven Canals) has done it yet again. (Let us not forget that their stories finally converged in a joint wedding.) More recently, Murphy announced that the 10th season of American Horror Story will once again bring back the witches of Coven for their third go-around on the anthology series. When fans took to certain couples on Glee - namely Kurt & Blaine and Brittany & Santana - the creator leaned in hard, and those pairs kept finding their way back to each other, long after it stopped making sense in the story. Ryan Murphy has a long history of giving fans what they want.
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